Stefan Sagmeister. Style + Fart = Language

On the occasion of his first New York retrospective, SAGMEISTER: MADE YOU LOOK, which ran at the School of Visual Arts end of 2004, the artist and designer was asked to reflect on his past and recent accomplishments. While tooting his own horn is not a favorite pastime, we did manage to get a few choice notes. Conversation with Steve Heller for AIGA.

Arnulf Rainer. Übermalte Bücher

Books are objects with a special status, sacred in a way. Books are containers of knowledge, and when you made that knowledge your own, you...

Alan Kitching. A life in letterpress

'A life in letterpress' documents the work of world-renowned typographer, designer and letterpress practitioner Alan Kitching. Alan Kitching is a typographer, designer and letterpress practitioner....

Tomi Ungerer. Between Two Convex Mirrors

Described by the publisher Phaidon Press as “the most famous book author you have never heard of,” Tomi Ungerer is a continental treasure in his native Europe, an artist whose life and work embody the epic forces of the late 20th century. Born in 1931 in Alsace, a region that soon became dominated by wartime Germany, Ungerer was raised under Nazi rule. His young adulthood was a mirror of postwar liberation, as he took to wandering the world before immersing himself in the invigorating climate of 1950s and 1960s New York. It was there that Ungerer made his reputation as an editorial and advertising illustrator and children’s book author, and where he became caught in the tumult of the antiwar and civil rights movements. In the early 1970s, seized by a back-to-the-land impulse, he left the States to farm in Nova Scotia. Five years later, he relocated again, this time to Ireland, where he has lived ever since.

Marian Bantjes. A woman of letters

'I Wonder' is a book that turns heads. As I read it on rail journeys to and from work, I notice many people around me sneaking glances at it, wondering what this sumptuously decorated tome was. Theirs is an entirely appropriate response to a book of essays by the Canadian artist Marian Bantjes, beginning with one on the sense of wonder, then turning into a journey of contemplation on subjects ranging from honour and remembrance to hideous signage in Saskatoon, a city in central Canada, and Santa Claus.

Fred Woodward of Rolling Stone. Working out of fear

'I’ve been here for nine years. I’m art director of Rolling Stone, and for the last couple of years, I’ve been creative director of the whole company. We publish US and Men’s Journal and some books. I keep the other two magazines staffed, and last year I was involved with changing the format of US. Mens Journal is being redesigned by David Amario. Richard Baker is art director of US. I design about two books a year, and whatever Jann [Wenner] has in his head.'

Ellen Lupton meets Steve Heller. Curator by accident

My position as a museum curator is a rare one—there are only a handful of design curators around the country, at institutions including the Museum of Modern Art in New York and the San Francisco Museum of Modern Art. However, there are more and more opportunities for designers to develop and use their skills as writers/editors/publishers, and for literary people to engage the processes of design. This is a broader cultural development with relevance beyond my own particular experience.

Stuart Tolley. Life as an agency owner, author and charity raiser

Stuart Tolley is an art director, designer and founder of Transmission, a creative agency and editorial consultancy based in sunny Brighton. He is also the author...

Fluxus is a graphic designers dream

Focus on '60s art movement Fluxus, and its relevance to graphic design today

Wim Crouwel at the Design Museum (1)

Dezeen interviewed Dutch graphic designer Wim Crouwel on the eve of the opening of the 2011 exhibition 'Wim Crouwel – A Graphic Design Odyssey' at the Design Museum in London. The interview consists of two videos. In this first movie, which was filmed at the Andaz Hotel in London, Crouwel talks about the exhibition as well as wallpaper and a rug based on his typographic designs that feature in a room at the hotel.

Irma Boom. Commemorative books are usually dull

Irma Boom, one of the world’s foremost book designers, discusses her working methods, preferences, and the nature of free-range design.

Paula Scher. Serious vs. Solemn

I am too experienced to deliver a terrible job, and I know how to create something appropriate for a given milieu that will function appropriately. Sometimes amidst the bad stuff I see something in a new way. That’s what I’m looking for.

Massimo Vignelli vs. Ed Benguiat (Sort Of)

'Print had brought Vignelli and Benguiat together because they looked like oil and water on paper. But rather than debate one another they surprised us by ganging up on Emigre magazine (1984–2009) as a symbol of the computer's destructive influence on contemporary typography. What follows is an almost complete rerun of the 9,000-word original published version. Parts that have been skimmed away are indicated by ellipses (...).'

Leta Sobierajski. This Is What Landing Your Dream Job Looks Like

Interview with Leta Sobierajski from a series of six profiles of young creatives who created their dream job. It’s a rare and very special thing to have a job that's the same as the one you referred to in grade school when everyone asked you what you wanted to be when you grew up. Heck, it’s rare to have the one you talked about at your college graduation party.

David Carson. All For a Few Good Waves

A short documentary on David Carson, by production company Dress Code. David Carson is arguably the world’s most well known graphic designer. All For a...