Bureau. Author of social messages

In 1989, Donald Moffett and Marlene McCarty founded Bureau, a “trans-disciplinary design studio” whose mandate was to produce art, film titles, political work, and brand identities. Bureau was a multidisciplinary design studio and collaboration between principals Donald Moffett and Marlene McCarty, with Claudia Brandenburg, Kiers Alexandra, Mary Day, Lucy Hitchcock, and Gabriel Feliciano, who viewed their unique design studio as a service provider and, more significantly, as an author of social messages.

Singapore’s Anonymous Design Studio on How to Survive in Business: Really...

Instant noodles are a key ingredient in the decade-long story of communication design studio Anonymous. It kept founders Felix Ng and Germaine Chong alive for a week while they waited for clients to pay their bills. But even before that low point in their early design days, instant noodles imparted a key lesson in design for the fledgling Singapore studio.

Plazm founder Joshua Berger meets Steve Heller

'Plazm was formed by a group of artists dissatisfied with avenues of expression available to them. Actually when we first started meeting, we didn't know were going to form a magazine. There were writers, photographers, illustrators, and designers all coming to these open-ended weekly gatherings. We were talking about things like media control and how we'd like to see artists representing artists. These discussions led to the launch of Plazm magazine.'

Steven Heller. Getting designers to think

Graphic design is his daily bread. Art director, journalist, critic, writer and editor, Steven Heller is co-chairing the course "MFA Designer as Author" and writes the Visuals column for the New York Times Book Review.

Emily Cohen. Deconstructing the Creative Brief

Sometimes, we all need some help. Emily Ruth Cohen consults with small to mid-size creative firms and in-house corporate design departments. This breadth of experience gives her insight into a wide range of issues that face creative businesses.

Looking Closer 5: Critical Writings on Graphic Design

Looking Closer 5 (2007) The final installment in this acclaimed series offers astute and controversial discussions on contemporary graphic design from 2001 to 2005. This...

Michael Bierut on trends in design

Michael Bierut is a partner at Pentagram and a leading voice in the world of design. Michael studied graphic design at the University of Cincinnati’s College of Design, Architecture, Art and Planning, worked at Vignelli Associates for ten years and, as I learned from watching him host Command X: Season 3 at the AIGA Pivot Conference, has a charming stage presence and warm sense of humor.

Helvetica. A film about typography

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which celebrated its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

Scott Belsky. Making ideas happen

Ideas are worthless if you can't make them happen.Generating new ideas is easy, it's executing that is hard. Whether it's an everyday problem or...

Milton Glaser. I’m not a graphic designer

"I’m not a graphic designer”. Milton Glaser is dead serious as he utters these words, so serious he almost makes us uneasy. Sure, he’s foremost an illustrator and an artist. And the most powerful image that comes to mind – apart from the thousands he produced – is that of President Obama assigning him the National Medal of Arts in 2009, which was presented for the very first time to, well, a graphic designer.

Paula Scher meets Ellen Lupton. Rather be the Beatles than Philip...

Paula Scher has been a strong presence in the design field for almost four decades. As Pentagram’s leading lady — she joined the New York office in 1991 — she has shaped the face of clients ranging from Citibank to Perry Ellis and the MoMA. Scher’s work brightens the city with its exuberant imagery, drawn type, and vibrant use of colour that constantly convince viewers that they want to be a part of it.

Erik Spiekermann. Putting Back the Face into Typeface

Listen to the design genius talk about new visual languages, design processes, the analogies of music and typography, and why we need better client culture.

Paula Scher. Serious vs. Solemn

I am too experienced to deliver a terrible job, and I know how to create something appropriate for a given milieu that will function appropriately. Sometimes amidst the bad stuff I see something in a new way. That’s what I’m looking for.

Stefan Sagmeister shares happy design

The Power of Time Off Every seven years, designer Stefan Sagmeister closes his New York studio for a yearlong sabbatical to rejuvenate and refresh their...

Ben Bos at the 2013 Offset Conference

Ben Bos, the influential Dutch graphic designer and key member of pioneering firm Total Design for 28 years, has died aged 86. In 2013 he...