Books are in a conflicted state. From pop culture pop-ups, to surreal sculptural stories, to reformations of antique sacred texts, these creators re-envision what the experience of a book can be. At times playful, and other times profound, this episode explores the boundaries of one of the most important human creations.
'Print had brought Vignelli and Benguiat together because they looked like oil and water on paper. But rather than debate one another they surprised us by ganging up on Emigre magazine (1984–2009) as a symbol of the computer's destructive influence on contemporary typography. What follows is an almost complete rerun of the 9,000-word original published version. Parts that have been skimmed away are indicated by ellipses (...).'
"I’m not a graphic designer”. Milton Glaser is dead serious as he utters these words, so serious he almost makes us uneasy. Sure, he’s foremost an illustrator and an artist. And the most powerful image that comes to mind – apart from the thousands he produced – is that of President Obama assigning him the National Medal of Arts in 2009, which was presented for the very first time to, well, a graphic designer.
For American artist Brock Davis humor is integral in all his projects. Designboom asked him to comment on his work.
Jessica Hische is a letterer and illustrator living somewhere between San Francisco, California and Brooklyn, New York. A fun short film, made for the Like Knows Like documentary project.
Folkert Gorter is functioning on a different level than the rest of us. The interaction designer and high concept community creator is the man behind online arenas such as SpaceCollective and Cargo, not to mention his own design studio, Superfamous.
He is the co-founder and owner of Dalton Maag, possibly the largest independent studio in Europe specializing in custom type design. Educated in Basel in his native Switzerland, he has worked and lived in London for two decades. His company recently developed a huge plurilingual font system for Nokia and has presented their bespoke font for the 2016 Rio Olympics. Following many requests from our customers, Dalton Maag’s superior typefaces have recently become available for retail on MyFonts. Meet Bruno Maag, at your service.
On the occasion of his first New York retrospective, SAGMEISTER: MADE YOU LOOK, which ran at the School of Visual Arts end of 2004, the artist and designer was asked to reflect on his past and recent accomplishments. While tooting his own horn is not a favorite pastime, we did manage to get a few choice notes. Conversation with Steve Heller for AIGA.
Feral House presents an irreverent, educational and entertaining collection of essays by the Great Contrarian of graphic design, Art Chantry.“There used to be a...
Debbie Millman is one of the most influential graphic designers working today. She's also an author, teacher, and brand strategist, and the chief marketing...