Design is at a turning point. Our infatuation with—and the backlash against—technology is over. Today's best designers have learned to embrace its advantages and...
Jonathan Barnbrook has been one of the truly original voices in British design and typography since the early 1990s. With a design practice built around vocal criticism of global politics and business, he’s about as far from design establishment orthodoxy as you can possibly get.
Tomato… A house hold name in our industry. This multi-disciplinary collective tackles almost anything creative. Among the mediums most noted would include; typography, graphic design, architecture, filmmaking, and the music of Underworld. We caught up with Graham Wood, Steve Baker, and Jason Kedgely and were able to get these kind gentlemen to 'speak up’.
Marc Pachter has conducted live interviews with some of the most intriguing characters in recent American history as part of a remarkable series created for the Smithsonian's National Portrait Gallery. He reveals the secret to a great interview and shares extraordinary stories of talking with Steve Martin, Clare Booth Luce and more.
“Our office is on the second floor of an old storefront building in the Old City neighborhood of Philadelphia. We’re surrounded by Ben Franklin impersonators giving walking tours of the Betsy Ross house and Independence Hall. The studio is pretty jammed packed with our books and paper scraps and ephemera. We have all sorts of design objects around including presidential busts, globes, old books, and a vintage blue-collar thermos collection. We also run our online store from this space so our poster and print archive is stored here as well as our mail room. It gets pretty chaotic at times but it has the great organized chaos of a workshop.”
For American artist Brock Davis humor is integral in all his projects. Designboom asked him to comment on his work.
The publication 'Identify: Basic Principles of Identity Design in the Iconic Trademarks of Chermayeff & Geismar' looks back at the last half century of work by Chermayeff & Geismar, the design studio behind many of the world’s most recognizable trademarks: Chase Bank, the Library of Congress, NBC, National Geographic, PBS, Showtime, and many others. Established in 1957, the firm helped pioneer the modern movement of idea-driven graphic design, and its projects span every discipline, including visual identities, exhibitions, print and motion graphics, and art in architecture. Print Magazine talked to Ivan Chermayeff, Tom Geismar, and Sagi Haviv, about swooshes (never!), whether Paul Rand shares responsibility for Enron (no), and who is really the boss (none of them).
Containing an interview line-up that is no doubt a who’s who list of contemporary graphic design, How to Think Like a Great Graphic Designercontains an...