Feral House presents an irreverent, educational and entertaining collection of essays by the Great Contrarian of graphic design, Art Chantry.“There used to be a...
Perhaps no one has had a greater affect on the way information—printed and electronic—is presented today than Muriel Cooper. As founder and co-director of MIT’s Visual Language Workshop, her explorations into the interactions between technology and design broke new ground in both graphic design and computer interface development. She designed covers for more than five hundred books, over one hundred of which have won design awards, and she was the second recipient of the American Institute of Graphic Design leadership award.
Milton Glaser (b.1929) is among the most celebrated graphic designers in the United States. He has had the distinction of one-man-shows at the Museum of Modern Art and the Georges Pompidou Center. In 2004 he was selected for the lifetime achievement award of the Cooper Hewitt National Design Museum. As a Fulbright scholar, Glaser studied with the painter, Giorgio Morandi in Bologna, and is an articulate spokesman for the ethical practice of design. He opened Milton Glaser, Inc. in 1974, and continues to produce work in many fields of design to this day.
Described by the publisher Phaidon Press as “the most famous book author you have never heard of,” Tomi Ungerer is a continental treasure in his native Europe, an artist whose life and work embody the epic forces of the late 20th century. Born in 1931 in Alsace, a region that soon became dominated by wartime Germany, Ungerer was raised under Nazi rule. His young adulthood was a mirror of postwar liberation, as he took to wandering the world before immersing himself in the invigorating climate of 1950s and 1960s New York. It was there that Ungerer made his reputation as an editorial and advertising illustrator and children’s book author, and where he became caught in the tumult of the antiwar and civil rights movements. In the early 1970s, seized by a back-to-the-land impulse, he left the States to farm in Nova Scotia. Five years later, he relocated again, this time to Ireland, where he has lived ever since.
'I think one of the biggest pluses of working for yourself is being able to work in different locations. While I love my studio, I like that when I want to marathon some bad television and get through a tedious project, I can stay at home, drink some tea and hang out with my cats. I don’t like working at the studio super late since most of my studio mates and building friends keep pretty regular hours, so when I have to pull a late night it’s usually from home. I’m also an avid coffee shop worker, mostly for REALLY tedious work like css editing and font kerning.'
“The work you do while you procrastinate is probably the work you should be doing for the rest of your life.” — Jessica Hische RIGHT NOW, FOR JESSICA Hische, that work—the work she should be doing for the rest of her life—is making letters. Right now, she sits at a computer in her Brooklyn apartment, hanging out with her two cats as she chats on the internet.
Aileen Kwun and Bryn Smith have interviewed 20 of the greatest in 20th-century design for their new book that covers the waterfront - from...
'In case you have been hiding under a rock for the past 18 years Rudy is the co-founder of Emigre. Along with the Macintosh in 1984, Emigre revolutionized Desktop Publishing, Graphic Design and Font Publishing and Design. Today they strive to voice their own and unique views on Design through their magazine and typeface design. On this interview I harped a bit on my impression that Emigre’s changes reflect a need to please us [designers] to continue subscribing to their publication and purchasing their fonts. Rudy cleared that matter, and put my concerns to rest that Emigre was “selling out.” '
Although traditionally centered around 100% Design, the current rendition of the London Design Festival has offered up a spate of attractions and events for...
Watching over what is happening in the design world for a bit, PingMag finds it inevitable to mention, that some quiet voices are recently getting much louder concerning conscientious design. The increased awareness of the responsibilities of design made PingMag want to talk to one person in particular: Jonathan Barnbrook, who is not only famous for his various fonts and own foundry but who has also been active in this responsible field with its outspoken views on politics and globalisation for a long time.